INCIDENT AT A POLLING PLACE, AFTER THE SUPREME COURT RULING AGAINST THE VOTING RIGHTS ACT
You try to politely explain that I.D.'s
from the local university and out-of-state
drivers’ licenses aren't sufficient,
but some people just won't listen.
"What would be sufficient?" the young man
demanded, in that precise enunciation
that means he's about to say or do something
he'll regret: steam practically shooting
from his ears and nose, eyes twitching,
fingers threatening to squeeze the life
out of me, for merely being the messenger.
"A local driver's license," I told him
for the fourth time, sick of repeating it.
"So we can be sure you're not perpetrating
voter fraud," and shooed sweet old
Mrs. Dile into one of the voting booths.
"How come you didn't ask for her license?"
"Young man," I scolded, "Mrs. Dile
hasn't driven in more than ten years."
"So she’s good to go without proper I.D.?"
"Now you listen here," I pointed.
"Everyone knows the Diles; we don't
know you. Go vote where you came from."
"The polls will be closed before I even
board a plane," he rolled his eyes.
"You should've thought of that before!"
Luckily, that nice police officer was right
by the door when that odious boy shouted
I was a Klanswoman. The very idea!
Kristen Chapman Gibbons reads "Incident at a Polling Place..." (coming soon):
Cooperman confesses: "'Incident at a Polling Place' grew out the Supreme Court's vile decision that money (like the Koch brothers' largess) showered on political candidates equals free speech. and not undue influence. It was just a short leap from there to imagine that the five activist judges on the Court would then vote to repeal the Voting Rights Act, since it seems to me that their purpose in many of their more malignant rulings is to start a real race war with guns and blood in the street and everyone but white, Christian males either dead, in exile, or enslaved."
ROBERT COOPERMAN's latest collection is Just Drive (Brick Road Poetry Press). He is currently working on a collection about his father's experiences in the army at the end of World War II.
Showing posts with label Voice - Kristen Chapman Gibbons. Show all posts
Showing posts with label Voice - Kristen Chapman Gibbons. Show all posts
Monday, July 21, 2014
Monday, February 17, 2014
Sarah Nichols
SALT
Even after all these years,
my tongue tastes your salt.
Rough,
how your fingerprints follow me down.
Your throat inside mine, at last.
Swallower.
The ache-lick of you.
never destroyed.
Kristen Chapman Gibbons reads "Salt":
Subscribe to Channel Five-Two for first view of new videos.
Sarah confesses: "I tend to think of poetry as alchemy, and this is an autobiographical poem. Someone swallowed my heart, and now, I get to take it back. The leaden materials of life are transmuted into a dark gold…and I like being an alchemist. Or a sorceress."
SARAH NICHOLS is a writer and artist living in Bristol, Connecticut. She is the author of The Country of No (Finishing Line Press, 2012). Her poems have also appeared in Found Poetry Review and Silver Birch Press's Noir Erasure Poetry Anthology. A passionate cinephile, she is a contributing writer for the online journal desistfilm, and has written about Fritz Lang's Scarlet Street for Senses of Cinema.
Even after all these years,
my tongue tastes your salt.
Rough,
how your fingerprints follow me down.
Your throat inside mine, at last.
Swallower.
The ache-lick of you.
never destroyed.
Kristen Chapman Gibbons reads "Salt":
Subscribe to Channel Five-Two for first view of new videos.
Sarah confesses: "I tend to think of poetry as alchemy, and this is an autobiographical poem. Someone swallowed my heart, and now, I get to take it back. The leaden materials of life are transmuted into a dark gold…and I like being an alchemist. Or a sorceress."
SARAH NICHOLS is a writer and artist living in Bristol, Connecticut. She is the author of The Country of No (Finishing Line Press, 2012). Her poems have also appeared in Found Poetry Review and Silver Birch Press's Noir Erasure Poetry Anthology. A passionate cinephile, she is a contributing writer for the online journal desistfilm, and has written about Fritz Lang's Scarlet Street for Senses of Cinema.
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