Crime Poetry Weekly Since 2011 * Submissions Always Open * Gerald So, Editor
Thursday, November 18, 2010
Canadian fiction writer, poet, and playwright J. J. Steinfeld lives hidden away on Prince Edward Island, where he is patiently waiting for Godot’s arrival and a phone call from Kafka. While waiting, he has published two novels, Our Hero in the Cradle of Confederation (Pottersfield Press) and Word Burials (Crossing Chaos Enigmatic Ink), ten short story collections, including three by Gaspereau Press — Should the Word Hell Be Capitalized?, Anton Chekhov Was Never in Charlottetown, Would You Hide Me? — and most recently, A Glass Shard and Memory (Recliner Books), and two poetry collections, An Affection for Precipices (Serengeti Press) and Misshapenness (Ekstasis Editions), along with two short-fiction chapbooks by Mercutio Press, Curiosity to Satisfy and Fear to Placate and Not a Second More, Not a Second Less, and three poetry chapbooks, Existence Is a Hoax, a Woman in Fishnet Stockings Told Me When I Was Twenty (Cubicle Press), Where War Finds You (HMS Press), and A Fanciful Geography (erbacce-press). Over 200 of his short stories and more than 400 of his poems have appeared in numerous anthologies and periodicals internationally, and over 40 of his one-act plays and a handful of his full-length plays have been performed in Canada and the United States, including the full-length plays Acting Violently, The Franz Kafka Therapy Session, and The Golden Age of Monsters, and the one-act plays Godot’s Leafless Tree, The Waiting Ends, The Entrance-or-Not Barroom, No End in Sight, Flowers for the Vases, The Word-Lover, Laugh for Sanity, A Murderous Art, Back to Back, Freesias in Whiskey, The Heirloom: An Evidence Play, and God’s Work.